My practice is rooted within a printmaking discipline. This discipline has informed my Masters research. I now employ various working methodologies, including the manipulation of objects, media and materials. I see these particular objects and their specific placements in a space as metaphors for, or signifiers of, the way information is sent and received from one person to another. I am interested in how thought is interpreted or misinterpreted depending on who is sending and receiving, and by what means.
This work is playfully pointing to more serious psychological concerns, such as mortality, risk, danger, remorse and regret. This is done through the use of sound, moving image, found, re-made objects, and 2-D printed matter. I am interested in subversion, by way of relating these inanimate objects and their uses, to the fallibilities inherent in the human condition.